What I Want From Sony, and What I Want From Disney

Sony, Sony, Sony.

…and Disney, Disney, Disney.

There is a fair bit of disappointment, in both of these big companies, going around right now. I’m certainly feeling it.

Eventually, I paused and asked myself why. Disappointment is what happens when reality falls short of what we want or expect. So, what, exactly, am I wanting from Sony? And what am I wanting from Disney? Those are actually two very different questions, albeit with similar answers and a bit of overlap in one particular area.

Well, what I’m disappointed over is is fairly simple: I hate when corporate politics (or anything else) gets in the way of telling good, quality stories. Said stories are what I really want from both companies, so the difference is how I want each company to provide them.

We All Know What I Want From Sony


Yes, of course that’s what I want.

The last couple of weeks have been very rough for fans of Spider-Man, or at least the iteration we got of him in the MCU. He’s in, he’s out, he’s not-quite-out, wait is he back in and better than ever, no he’s out, all the way out now, oh crap.

It shouldn’t be too surprising, really, but it’s still sad.

Sony, it must be said, did great with their first two Spider-Man movies, and they definitely helped push superheroes into the spotlight properly, as real, developed people with riveting stories about humanity. This helped to pave the way for Marvel Studios’ current success under Kevin Feige.

But then they misstepped. Three times in a row.

Spider-Man 3 was terrible enough that the best part of it was when Peter was getting a beatdown from both Venom and the Sandman.

This was followed by Sony’s answer to the MCU: a cinematic universe based entirely around Spider-Man, including the Sinister Six. But both Amazing Spider-Man movies, whatever their virtues, still left something to be desired. Spider-Man, in Sony’s control, was fading terribly in terms of popularity.

And the fans… oh, the fans really, really, really wanted Spidey in the MCU.

There were whoops and hollers of celebration all over the internet, some including myself, when Sony agreed to share Spider-Man with Marvel, and just in time for him to be introduced in Captain America: Civil War, too! Ah, such great times we’ve had since, with two solo movies and a strong presence in three others. And we were so looking forward to everything that was to come, especially as Peter Parker was just barely set up for a huge role as a pseudo-successor to Iron Man himself! Not to mention how Far From Home ended, putting him firmly in the crosshairs of all his enemies and the public! Excitement abounded!

Then, this crap.

Spider-Man: Into the Spider-Verse was successful. So was Venom. Though neither was nearly so successful as Marvel’s movies, they proved that Spidey was a hot item again, alongside the characters around him. It’s perfectly natural, then, for Sony to believe they can make money off him on their own, now.

Thus, when Disney came along, wanting a bigger share of the profits, things went south very quickly.

What I Want From Sony and Disney

A little team-work, please?

Different people working together? What a novel concept!

Now, I must admit that my initial reaction was entirely in Disney’s favor. Mostly, that was because they own Marvel Studios and it seemed, by all appearances, that Sony was being very greedy, wanting to keep all the money while putting less work into it. That may have been terribly short-sighted and small-minded of me.

I forgot, for a moment, a very simple lesson I once learned, years and years ago: there are two sides to every story.

While it is easy to blame Sony, one should not forget to hold Disney every bit as accountable as well.

Disney wanted more money. Of course they did. That’s their thing these days, isn’t it? More money. Shameless cash-grabs with sequels, reboots, remakes, mining the better memories of our younger days… that’s what they’ve been doing of late, for the last several years, and they aren’t slowing down at all.

So while Sony’s comment about Disney choosing not to have Feige be involved in Spider-Man’s future for now might seem like some pithy, petty spin at first glance, perhaps that’s exactly what happened. Perhaps Sony disagreed with reworking the deal over Spidey, so Disney cut ties, throwing their weight around, leaving Sony to hold the bag. Sony has certainly seemed interested in trying to come to some agreement, and they’re obviously scrambling to keep from getting capsized by rushing (relatively speaking) to make the next Spider-Man movie with Tom Holland in it.

As I consider this, I know what I want from Sony: I want them to come to some sort of agreement with Disney where they can share Spider-Man.

But I also want the same of Disney: I want them to come to an agreement with Sony, one that is mutually beneficial, to share Spider-Man.

Heck, I wouldn’t much mind, at all, if they managed to use Spidey to tether the MCU with Sony’s MU, make them adjacent to each other. But either way, the two companies need to work together on this one.

Which brings me to…

What I Really Want From Disney

In summary: a little less cash-grabbing, and a little more bang for our bucks. That latter part, especially.

“I am supposed to represent great stories, not great greed!”

I can point to all the live-action remakes as the laziest effort of all, doing little more than copying and pasting the story, without making any worthwhile alterations to it (let alone making new stories at all), just making the visuals appear more realistic (not necessarily “better”). I can point to cheesy sequels and reboots galore, though, in fairness, that’s a staple of Hollywood now (which, really, it shouldn’t be). I can point to how they’ve bought so many studios and are heavily driving them to produce more content, the kind of content they want, financing instead of creating. I can certainly point to the soured relationship with Sony, with Marvel caught in the crossfire. I could even argue that Disney, overall, seems to have entered a stage that is much like their animated movies were in before their personal renaissance.

I can point to all of it and say that Disney’s pursuit of our hard-earned money is leaving much to be desired.

But the one thing, above all, which leaves me nonplussed, and a bit conflicted, is their upcoming, much-vaunted streaming service: Disney+.

What is it which concerns me?

Basically: what they are offering.

Or, rather: what they are not offering.

Disney owns Pixar, LucasFilm, Fox, Marvel, and who knows what else. You look on the Disney+ website, and they certainly do not fail to sensationalize what’s available, including National Geographic. They have shows for kids and adults, they had an entire segment at D23 devoted to demonstrating how to use it, and they have deals for Hulu and ESPN in the works, too. They are offering a lot… or, rather, enough to momentarily turn one’s head.

I notice something about almost everything I’ve yet seen available o Disney+. Perhaps I am wrong, and I’m only seeing the surface level. But it seems to me…

They’re only offering the newest, and the most popular, items in their library.

Am I wrong?

I would not mind at all if I am!

While a great deal of entertainment is promised, with regular additions and a number of original series and movies, somehow it just seems all so… paltry, by comparison. Not nothing, but so much less than it could be, if they simply chose.

I did not realize this, but apparently Walt Disney left his hometown to go and found what would become Disney as we know it, in 1923. That’s almost a full hundred years ago. A hundred years. A full century of history to draw on, which has resulted in a truly vast library.

Even discounting all of their recent purchases, Disney, alone, on its own, with nothing else to it, has a massive archive of all sorts of works, many of which are absolutely beloved classics.

All the old cartoons with Mickey Mouse and his friends. The original Duck Tales, Chip’n’Dale, and even Tail Spin. Every cartoon they ever made. Everything they ever made for theaters or for any channel they owned. Countless movies, shorts, and television shows, both live and animated.

Zorro. Swamp Fox. Davy Crockett. Swiss Family Robinson. The Monkey’s Uncle. The Misadventures of Merlin Jones. The Absent-Minded Professor. Son of Flubber. Pollyanna. Escape to Witch Mountain. Return from Witch Mountain. In Search of the Castaways. The Gnomemobile. No Deposit, No Return.

On and on and on it goes.

Nearly a full century of history to draw on, not to mention anything Fox has in their library, and everything else they own.

And what do we get?

Enough to dazzle, for a moment, but, in relative terms… not really that much. It’s flashy and fun, but somehow a little disappointing once you start thinking about it, ya know?

What Do I Want?

Stories. Quality stories. Classics, and stories that can become classics, well-crafted, and well-told.

The companies that sell us these stories – not limited to Sony and Disney, though they are foremost on my mind at the moment – could do a whole lot better than they are.

To paraphrase Black Panther, “They can do better. They must do better.”

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14 Responses to What I Want From Sony, and What I Want From Disney

  1. The Otaku Judge says:

    It’s a shame that the deal couldn’t be extended. Both sides may lose out over this split. If the new Sony movies end up being liking past ones they could well suck. Meanwhile Disney will miss out on their most popular hero, which is a shame as the next phase of MCU flicks is underwhelming.

    Liked by 1 person

    • Merlin says:

      Indeed. When nobody wins… nobody wins. And while I’m inclined to give Marvel (under Kevin Feige) the benefit of the doubt, at least for awhile, but the next few movies do seem a little more… lackluster than I was hoping for, ya know?

      Liked by 1 person

  2. V Donovan says:

    Very well put! I agree with you. It’s unfortunate that the fans are caught in the middle with really nothing to do because boycotts or whatever really wont work, and isn’t even worth it at this point. I hope they can come to a conclusion, and I hope Sony doesn’t cave. From what I heard, Disney was making like 5% of the profits for Spider-Man, and I think they should definitely get some more, but not 50%.
    I guess it’s good that Disney tried this after Endgame finished, because I guess a worst case scenario is that Spidey does leave the MCU, Sony gives us another movie or two featuring him that people will see, but they won’t be great or do great, and then that’ll be that. Tom is young and I doubt he’d want to sign on for 10 years or anything anyway. Marvel doesn’t /NEED/ Peter at this point to tell more stories, and Sony doesn’t /NEED/ Tony/the Avengers at this point to continue Peter’s journey, so I think if the two companies want to do something more than just close loops and finish contracts, some agreement will need to be made.

    Liked by 1 person

    • Merlin says:

      Thank you! 🙂

      And you have it right. They might not need each other to keep producing, but they’ve worked well together up to this point and produced something fantastic. It’s sad to contemplate things going downhill, but there needs to be a bit of give and take on both sides.


  3. Karandi says:

    “What Do I Want? Stories. Quality stories. Classics, and stories that can become classics, well-crafted, and well-told.”

    This needs to be the rallying point for fans. All of the business discussions, deals and drama are distractions from the core point which is that fans want to be entertained and we want good stories to be told. Whether these come from Disney or some other company doesn’t really change the end goal for the audience.

    Liked by 1 person

  4. Krystallina says:

    Amen! I’m not super into Marvel, really only into it because MCU made it popular and almost unavoidable, but it’s just stupid that they couldn’t work out a deal. It’s no surprise Disney wanted more money (whether right or wrong and no matter if it was a 5% increase or 1,000%), but surely Sony could have gotten something out of it if they agreed to cough up more dough. Merch deals, more small appearances in MCU so they can recoup some of the dough, etc.

    Liked by 1 person

  5. ospreyshire says:

    I remember hearing about this predicament and people were absolutely freaking out about it. Looks like things have smoothed over from what I heard. While I get the frustrations of wanting Spider-Man alongside the rest of the other Marvel heroes, I think people were blowing this way out of proportion. There have been worse issues than this in real life and it annoys me how people cared more about the Sony/Disney issue than real-life pressing matters.
    Okay, I’ll get off my soapbox.

    Liked by 1 person

    • Merlin says:

      Oh, no, I share that particular soapbox. 😉

      In regards to Spidey, Disney, and Sony, I wouldn’t say things have smoothed over so much as… they have restored diplomatic ties for the moment, just long enough for the overall situation to develop, so they can maneuver into as advantageous a position as possible.

      Liked by 1 person

      • ospreyshire says:

        That’s good to know and thank you. While I’ve had moments where I ranted about pop culture on my blogs, I’ve been trying to refocus on ranting on aspects of it that are legitimately harmful or offensive.

        Is that so? I heard a co-worker geek out about there being some kind of compromise, but I didn’t hear about all the details. Sounds more like a cease-fire or temporary truce, I assume?

        Liked by 1 person

      • Merlin says:

        Something like that. It’s a short-term agreement so both sides can profit while waiting to see if Sony gets bought by another company. If so, contractual terms dictate that Spidey goes to Marvel (and Disney) automatically, but if not, then if Disney wants to own Spidey, they’d have to buy Spidey. Neither side knows exactly what will happen, so they’ve bought a bit of time to wait and see, while also profiting in the meantime and appeasing the fans, which keeps their respective positions from deteriorating.

        Liked by 1 person

  6. ospreyshire says:

    Okay. I figured there was some kind of agreement, but I wasn’t sure about the terms. Why would Sony want to get bought out by another company? Sure, they’ve merged their music division with BMG back in the 00s (saying nothing about how there was one less major distributor in that industry, but I digress), but their movie studio being bought out isn’t a good call. I figured Spider-Man (the character) being Disney’s/Marvel’s property was a given even though Sony had the film rights years before the Marvel acquisition from Disney. I can see why they’d have a truce when it comes to Peter Parker and company, but I do get concerned that if there’s another buyout of a major film studio or a media company, that could lead to an even bigger movie industry monopoly especially if it’s Disney if they want more corporate assets. They already have a big enough share after buying out Fox. I read that if the Disney/Fox deal happened in 2016 and if you took all the box office revenues of all their respective movies released that year, then they would’ve had a 49% stake in the mainstream movie market.

    Liked by 1 person

    • Merlin says:

      Actually, there were a couple of companies looking at buying Sony, or at least the North American branch of it, but Apple was one of the foremost parties mentioned.

      Liked by 1 person

      • ospreyshire says:

        I don’t think I was aware of Apple being a potential buyer of Sony’s North American branch. Granted, I wish there wasn’t some urge for major companies to buy each other out though. In Apple’s defense, at least they aren’t in the big media business like a Disney, Warner Bros., Viacom, etc., but I think that might be slowly changing with their original videos and such. I just want there to be a healthy competition with multiple companies in the same field while creating quality stories. Until then, I guess I’ll stay in my indie/international film bubble.

        Liked by 1 person

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